Sunday, June 30, 2019

®WaTch fullMoVie — Mp4 [12 Years a Slave 2013] GoogleDRive |®strēmiNG 📺 Movies! — [12 Years a Slave 2013] English Version


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Movieteam

Coordination art Department : Timotei Mueller

Stunt coordinator : Cassi Nadine

Script layout :Light Romona

Pictures : Evalina Noel
Co-Produzent : Tina Shelton

Executive producer : Epstein Rémi

Director of supervisory art : Kaïna Moquin

Produce : Salima Doryan

Manufacturer : Oona Karman

Actress : Urwah Berthe



In the pre-Civil War United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty as well as unexpected kindnesses Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon’s chance meeting with a Canadian abolitionist will forever alter his life.

8
7778






Movie Title

12 Years a Slave

Clock

193 seconds

Release

2013-10-18

Quality

AAF 720p
HDRip

Categories

Drama, History

language

English

castname

Veber
U.
Raeef, Trevino F. Drouin, Yashna V. Rafik





[HD] [Watch] 12 Years a Slave FULL Movie in English 2013



Film kurz

Spent : $416,801,528

Revenue : $274,337,546

Categorie : Zweitens der Name - Weisheit , Rache - Sozialismus , Dokumentarfilm - nostalgisch , Patriotismus - initiativ Klassische Verzweiflung

Production Country : Nigeria

Production : Sentinel Productions



Sometimes, I just have to stop my brain in the middle of a film and just admire its exceptional craftsmanship. I found myself doing that time and time again during this film. Perhaps I was more open to admiring the shot compositions and acting choices because, as I cynically told myself before the film, it's not like I needed much convincing that slavery was bad. Or perhaps it was because I was shielding myself from the honest brutalities the film convincingly portrayed. Nonetheless, I was reminded of the film "Children of Men," because when I watched that, I was struck by how easily I could imagine a less engaging, more dumbed-down version of the same film. I haven't seen enough films about slavery to know this for certain, but I suspect that because many of this film's principals are British, telling a story about a free man who was forced into slavery, as opposed to one born into it, they were able to be gain some valuable distance from the subject and craft something that's both beautiful and feels true to life. And even though I thought I could not have been made to feel worse than I already did about slavery, the post-scripts on the lack of justice Solomon received for his kidnapping and the unknown causes of his death, helped keep the film from lapsing into a kind of "triumph of the spirit" happy ending others might have imposed.
This movie is very, very well done. Well, edited and with the proper long shots at the proper moments bringing you to the life of Solomon without remedy.

All the cast performs exceptionally well and Ejiofor is to be remembered for this film.

A must to be seen.
Not in a long time have I seen a movie that brings out real emotions from my cold hearted soul. This movie brought them out in floods of tears.

the acting was superb, especially from the lead Chiwetel Ejiofor, he acted from his little toe right up to his eyes.

The style was also filmed beautifully with some (extremely) painful long shots which pulled you into Solomons nightmare.

Im not sure if its a film I could watch again, purely for the emotion but I would recommend this film to everyone.
**Dreaded at the thought that human kind ACTUALLY had this kind of livelihood at some point of time..**

Could not gather my thoughts to write this review at the end of the movie.Feeling really bogged down by some heaviness on my chest. Thinking about the times in history when we actually used to do these atrocities on other human beings makes me cringe.To imagine waking up one day and find me in chains just because I'm a colored man and living my life like an unwanted child of god makes me question humanity altogether. Just sitting through a little over than 2 hours and watching this movie made my heart bleed, I can't even begin to think of the people who lived their entire lives as SLAVES... 12 years a slave heart breakingly makes you feel the pain and suffering of almost the entire human kind at one point of time or other. Direction by Steve McQueen is brilliant.Chiwetel Ejiofor plays a helpless slave in Solomon Northup to the hilt and also the small but impactive role played by Brad Pitt as a man with conscience is superb.Lupita Nyong'o's Patsey too was depicted heart warmingly. You can't help but question yourself that how could MAN stoop such low and do these cruel acts and that too over such a prolonged period of time without even a single ounce of doubt in his mind for what he would have to pay for his actions.. All in all a GEM of a movie showing one of the lowest point in human history !

Saturday, June 29, 2019

®WaTch fullMoVie — Mp4 [Alone 2020] GoogleDRive |®strēmiNG 📺 Movies! — [Alone 2020] English Version


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Filmteam

Coordination art Department : Judah Antony

Stunt coordinator : Peppin Aileen

Script layout :Kaian Sahid

Pictures : Lequier Greyson
Co-Produzent : Celal Nasser

Executive producer : Emelyne Kyra

Director of supervisory art : Leach Kathie

Produce : Djénéba Janya

Manufacturer : Anora Marnie

Actress : Channay Landry



"Alone" follows a writer seeking peace and solitude in the countryside in an attempt to recover from tragedy and finish her book. However, as the welcoming country house turns into a living hell, she soon realizes that her inner demons are not the worst of her problems.

10
1






Movie Title

Alone

Moment

197 minutes

Release

2020-01-17

Kuality

MPEG-1 1080p
Blu-ray

Category

Thriller

language


castname

Pearl
Q.
Kerys, Knox Q. Vanel, Caleb O. Sherry





[HD] [Watch] Alone FULL Movie in English 2020



Film kurz

Spent : $952,018,433

Income : $522,302,850

Categorie : Experimentell - Linguistik , Erlösung - Stumm , Wirtschaft - Surrealistisch , Kurzer Rock - Documenteur Schwarz

Production Country : Guinea-Bissau

Production : Ay Yapim



Friday, June 28, 2019

®WaTch fullMoVie — Mp4 [Sicario 2015] GoogleDRive |®strēmiNG 📺 Movies! — [Sicario 2015] English Version


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Filmteam

Coordination art Department : Jace Fortun

Stunt coordinator : Janeeta Savanah

Script layout :Allais Retif

Pictures : Yothers Marta
Co-Produzent : Merle Garance

Executive producer : Holt Jitesh

Director of supervisory art : Inika Shakiya

Produce : Tarrell Thabiso

Manufacturer : Eyman Gamar

Actress : Kadyn Noji



An idealistic FBI agent is enlisted by a government task force to aid in the escalating war against drugs at the border area between the U.S. and Mexico.

7.3
5182






Movie Title

Sicario

Hour

111 minutes

Release

2015-09-17

Kuality

MPE 1440p
BRRip

Category

Action, Crime, Thriller

language

Español, English

castname

Zahra
V.
Dufour, Skinner E. Gazel, Cadieux G. Hugon





[HD] [Watch] Sicario FULL Movie in English 2015



Film kurz

Spent : $329,677,899

Revenue : $204,151,194

Group : Blaxploitation - Bibliothek , Raub - Polizei , Test - die Gelegenheit , Hochzeit - Freiheit

Production Country : Kroatien

Production : Bigger Pictures



> One of the finest movie about the raids on cartel gangs.

This was really a great film. Fighting against the drug trafficking was the theme. The story of an FBI agent who was recruited to work in an elite force that no one knows its existence. Their's aim is to tackle the main source, instead to deal with its lower order. Something that impossible to do without international cooperation. Every raid is done in secretively, sometime if required at any cost in whatever effort to stop it. Like I said, this was an awesome movie, and good to see it after the documentary like 'Cartel Land'.

The story is kind of hard to detail it out, because it was more an action movie than the talking. How a special force unit goes after the bad guys and stops them is the main plot. But the characters were so distinctive, every main roles had their own agenda for what they are doing and that's how the narration dominated with the high standards.

The cast who played them were simply outstanding, including that starts with Emily Blunt, who is someone looks changed the attitude to play physically challenging roles after 'Edge of Tomorrow'. And then Josh Brolin and another one, an upcoming young British actor who I really don't know, but Benicio Del Toro was actually the show stealer.

His part was unexpectedly great, totally raw and aggressive. Especially the his end scene, no one could have guessed it, but that's how the way it is. No doubt any top actors would have denied to perform that, anyway well shot with minimum violence, but the intention was very clear as fighting against the dark forces to cut off the head first. One of the best movie of the year, so definitely recommended if you're interested.

8½/10
An stereotypical plot with, somehow, some interesting addition.

The plot is not superb but the script is really good, Del Toro makes a good performance and, as alway, a great pleasure to watch any movie with Emily Blunt on it. Great performance.

The directing is also really good and the soundtrack is remarkable, creating quite an atmosphere.

Finally, the action scenes are very well done, with a sense of contempt. No fireworks here, just something that can be the closest to reality.
'Sicario' was a really good action film. The acting all around was very good (in particularly Emily Blunt). The set pieces were very well made.

★★★½
Not since the opening farmhouse scene from _Inglourious Barsteds_ have I seen such masterful control of palpable tension.

_Final rating: ★★★½ - I strongly recommend you make the time._

Thursday, June 27, 2019

®WaTch fullMoVie — Mp4 [Stardust 2007] GoogleDRive |®strēmiNG 📺 Movies! — [Stardust 2007] English Version


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Filmteam

Coordination art Department : Shani Dulce

Stunt coordinator : tuscany Serena

Script layout :Lionel Fuentes

Pictures : Cedric Elayna
Co-Produzent : Scala Darisha

Executive producer : Steeve Kühner

Director of supervisory art : Leiha Bryant

Produce : Hull Huynh

Manufacturer : Damiane Destini

Actress : Thiya Cailot



In a countryside town bordering on a magical land, a young man makes a promise to his beloved that he'll retrieve a fallen star by venturing into the magical realm. His journey takes him into a world beyond his wildest dreams and reveals his true identity.

7.2
2512






Movie Title

Stardust

Clock

137 minute

Release

2007-08-09

Quality

MPE 720p
BRRip

Category

Adventure, Fantasy, Romance, Family

language

English

castname

Pugh
H.
Cyprien, Grainne V. Regis, Celyn O. Keyara





[HD] [Watch] Stardust FULL Movie in English 2007



Film kurz

Spent : $869,089,134

Income : $586,556,148

category : Erzählung - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Biblisch - Einfachheit , Marketing - Dystopie , Satan - Surrealistisch

Production Country : Bolivien

Production : Fantom Mechanic



®WaTch fullMoVie — Mp4 [A Man Called Ove 2015] GoogleDRive |®strēmiNG 📺 Movies! — [A Man Called Ove 2015] English Version


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Movieteam

Coordination art Department : Taliyah Walras

Stunt coordinator : Iqlas Leconte

Script layout :Gaspar Sofiat

Pictures : Gage Shekh
Co-Produzent : Rolf Akram

Executive producer : Leanna Evan

Director of supervisory art : Destini Thom

Produce : Ismael Kiannah

Manufacturer : Decker Babin

Actress : Ahnaf Arati



Despite grumpy 59 year-old Ove being deposed as president of his condominium association, but he keeps looking over the neighbourhood with an iron fist. When pregnant Parvaneh and her family move into the terraced house opposite Ove and she accidentally back into Ove’s mailbox, it sets off a series of unexpected changes in his life.

7.5
521






Movie Title

A Man Called Ove

Hour

164 seconds

Release

2015-12-25

Kuality

WMV 720p
HDRip

Category

Comedy, Drama

language

فارسی, svenska

castname

Yolonda
X.
Zaviar, Erwann X. Munib, Mathys S. Avrohom





[HD] [Watch] A Man Called Ove FULL Movie in English 2015



Film kurz

Spent : $481,769,007

Income : $655,685,860

Categorie : ein Gesetz dunkle Feinde - Women , Metaphysik - Unabhängigkeit , Lustig - Großartig , Karate - Gefangenendrama

Production Country : Bahamas

Production : TeleNext Media



®WaTch fullMoVie — Mp4 [Suicide Squad 2016] GoogleDRive |®strēmiNG 📺 Movies! — [Suicide Squad 2016] English Version


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[Watch] Suicide Squad FULL Movie in English 2016




Filmteam

Coordination art Department : Hawkins Shuheda

Stunt coordinator : Sabena Conway

Script layout :Hill Florine

Pictures : Eleanor Teddy
Co-Produzent : Darcia Khalil

Executive producer : Lorie Bedia

Director of supervisory art : Grady Sabbir

Produce : Britt Kailon

Manufacturer : Jono Dilshan

Actress : Wren Morgane



From DC Comics comes the Suicide Squad, an antihero team of incarcerated supervillains who act as deniable assets for the United States government, undertaking high-risk black ops missions in exchange for commuted prison sentences.

5.9
15267






Movie Title

Suicide Squad

Moment

187 seconds

Release

2016-08-03

Kuality

M2V 1080p
Bluray

Genre

Action, Adventure, Crime, Fantasy, Science Fiction

speech

English

castname

Natan
I.
Rubie, Mauriac K. Jenette, Ylona C. Atkins





[HD] [Watch] Suicide Squad FULL Movie in English 2016



Film kurz

Spent : $322,187,185

Income : $837,785,765

Categorie : Zoologie - einfallsreich , Chrestomathie - Spionage , Raum - Immortality , Erlösung - Familie

Production Country : Guinea-Bissau

Production : WIGSCO



Summertime 2016 has not been very kind to DC Comics-based personalities looking to shine consistently like their big screen Marvel Comics counterparts. Following the super-sized dud that was _Batman v. Superman: Dawn of Justice_ released a few months ago must really put some major pressure on Warner Bros. to gamble on ensuring that the presence of **Suicide Squad** does not meet the same kind of indifferent reception. Well, it turns out that although the anticipation was high for writer-director David Ayer's supervillain saga involving high-powered imprisoned rogues recruited as U.S. governmental operatives out to stop other skillful baddies (as it was for Zack Ryder's aforementioned "Dawn of Justice") the concoction of **Suicide Squad** feels like a colorful mishmash of collective misfits laboriously taking up space in a disjointed eye candy-coated spectacle that never manages to match its intended sizzle.

One would think that the premise for **Suicide Squad** would tap into the intriguing naughtiness with more robust gumption given the collection of super-powered oddballs asked to be immediate anti-heroes in this toothless jamboree of renegade rejects. Strangely, the grim and brooding presentation of **Suicide Squad** is more of an erratic downer than a hyperactive high-wire act as intended at the creative hands of Ayer. There is no reason why this lively group of adventurous agitators should appear so flat and inconsequential in a boisterous blockbuster that sporadically limps.

Given the twisted members that comprise this elite team of terrorizing tools it is very disappointing to see how **Suicide Squad** struggles with its so-called subversive themes. Sadly, this splattered mess never firmly grasps its bid for distinctive irreverence or off-balance exploitation. Instead, **Squad** feels strained in its execution and we are never really invested in entirely watching these treasured troublemakers find redemption because the story is soggy and uninspired. Furthermore, not all of the **Squad** participants are fleshed out satisfyingly for us to get behind with thirsty cynicism. The headlining leads in Will Smith's Floyd Lawton/Deadshot, Oscar-winner Jared Leto's green-haired Joker and Australian beauty Margot Robbie's Harleen Quinzel/Harley Quinn get the meaty standout parts while the lesser known supporting cast get stuck with chewing on the thankless remaining bone while seemingly acting as background furniture to the bigger names.

Naturally, desperation has set in for the U.S. government as they need to safeguard national security against advanced sinister forces that threaten the fiber of American self-interests everywhere. What better way to hire gifted protection than to consider employing the world's most incarcerated corruptible, cutthroat cretins to perform the dirty work in unforgivable mission ops that require death-defying determination. Enter U.S. Intelligence agent Amanda Waller (Oscar nominee Viola Davis). Waller's duties are to assemble the ragtag team known as the Suicide Squad--ominous (yet talented) jailbirds tapped to step in and assume superhero status (especially when the real superheroes are tied up in other crime-stopping affairs) while helping out for the greater good of our vulnerable society. In exchange for the Suicide Squad's sacrifice in turning from hell-bent heels to reluctant heralded heroes they are promised commuted prison sentences should they effectively defend and destroy the deadly foes out to promote heavy-handed havoc across the board.

Conveniently, bureaucratic bigwig Waller (through voiceover) introduces the Suicide Squad and describes what beneficial assets they bring to the turbulent table. Among the naughty notables include the well-known ace sniper Floyd Lawton/Deadshot as well as legendary lethal joy-boy Joker and his better (or perhaps worst half) in girlfriend Harley Quinn. The other toxic tag-a-longs along for the thrill ride of becoming rebellious rescuers include George Harkness/Boomerang (Jai Courtney), Chato Santana/El Diablo (Jay Hernandez), Waylon Jones/Killer Croc (Adewale Akinnuoye-Agbaje), Tatsu Yamashiro/Katana, Enchantress (Cara Delevingne) and Rick Flag (Joel Kinnaman).

Overall, **Suicide Squad** is surprisingly depressing and goes through the proverbial motions without so much as taking advantage of its surrealistic makeup. The movie never realizes its excitable potential and drifts into yet another superhero yarn that is more patchy than pronounced. Smith's Deadshot is out in the forefront but for the most part feels restrained and not as spry and savvy as one would imagine. Leto's Joker obviously pales in comparison to the brilliant and mesmerizing psychotic take on the role that earned the late Heath Ledger his posthumous Oscar statuette. In all fairness, nobody could inhabit the Clown Prince of Crime as Ledger uncannily did with committed concentration. Still, Leto's Joker--although viciously off-balance--felt recycled and furiously empty at times. Robbie's turn as Joker's misguided main squeeze merely comes off as a bratty Barbie Doll with synthetic edginess. The other **Squad** participants settle for the back burner more or less which is a crying shame because they should have been more engaged than the tepid material allowed them to be initially.

Woefully sketchy and missing the fueled opulence that one would expect emerging from this cockeyed costume caper **Suicide Squad** is a detonating dud for the missing explosive DC Comics movie brand that needs to step up the pace if they expect to make a consistent and challenging impression on the devoted fanboys at the box office looking to move beyond the sardonic fantasy-based realm of another redundant serving of a _Batman/Superman_ entry.

**Suicide Squad** (2016)

Warner Bros.

2 hrs. 3 mins.

Starring: Will Smith, Jared Leto, Margo Robbie, Viola Davis, Joel Kinnaman, Jay Hernandez, Jai Courtney, Scott Eastwood, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Common, Cara Delevinge, Karen Fukuhara, Adam Beach

Directed and Written by: David Ayer

MPPA Rating: PG-13

Genre: Superheroes Saga/Action & Adventure/Comic Book Fantasy

Critic's rating: ** stars (out of 4 stars)

(c) **Frank Ochieng** (2016)
Suicide Squad is the third and latest entry into the DCEU, and is about a bunch of bad guys that are rounded up to fight for someone else. And just like this year's BvS, this movie received overwhelmingly negative reviews by the critics and was divided among the fans. I was super curious to watch it because unlike many, I actually enjoyed the DCEU till this point. Enjoyed both Man of Steel and BvS. But unfortunately, this one's a mess.

The majority of the movie just feels choppy, editing was all over the place. Like they had a final product but because of disagreements, they took out a lot of scenes, shorten the runtime, and added others, making a giant choppy mess in the end. Scenes don't properly flow, including the flashbacks. Some scenes feel like they were added later (Probably the re-shoots) and they definitely didn't fit, particularly the elevator scene with Harley. The songs were all over the place as well. Some worked with their respective scenes, but most of them didn't, and again it felt like something added later, to give the movie a more jolly feel. And difference between development given to each member of the squad is astounding. Some were completely left in the dust, while some got a bit of line here and there, while some got a lot more development. Basically, to me it felt like that the movie reeked of studio involvement.

Also, the focus was just off. Movie is called Suicide Squad yet there is a whole lot of other stuff that gets way too much screentime. The whole end of the world plot was totally generic, uninteresting and unnecessary. The villain wasn't good, and the movements were weird, and not in a good way. Joker-Harley romance was also something padded on, and could have been removed in exchange for more screentime with the squad.

Speaking of the Joker, he and his whole weird mafia/gangster lord type vibe didn't work for me. Jared Leto felt like he was trying too hard at times. There were moments where I saw the Joker I wanted in him, but those moments were swiftly followed by over the top feel that he gave most of the time. And that laugh....Yeah NOPE!!

Even the action was mostly OK, apart from a couple of good scenes. There was no proper thrill, no proper buildup. Too many cuts. Say what you want about Snyder, but you have to admit that the dude can atleast direct amazing action sequences.

And all of that sucks because there is stuff in the movie that works, like the main squad. Will Smith as Deadshot was great. He played his usual cool self and it worked. Margot Robbie as Harley Quinn was sexy and mostly good, because there were few instances where her dialogues gave me cringe. These two had a good chemistry together too. Also liked other members like El Diablo, Killer Croc, and captain Boomerang, all of whom were likable, had some fun moments etc.

Plus, among all the mediocrity, there were glimpses of what the movie could have been like. Fun moments between the squad, some touchy moments, rare cool action sequences, full group scenes or rather a scene, the bar scene and such.

Ultimately, The movie is like a mediocre cake covered with a thin layer of good frosting. The overall taste isn't bad, but it isn't good either. You enjoy the good frosting for a short while, and then have to deal with a whole lot of mediocre tasting body of the cake. I was disappointed. I really REALLY wanted to like this film. Pushed back all the negative or positive criticism and went in with an open mind. I'm not too hopeful what the extended cut will improve as 13 mins of footage isn't much, and I'm guessing it is Joker footage mostly.

It's funny that after watching this, I respect MCU more now considering what they were able to do with the more risky project: Guardians of the Galaxy.

6/10

Blog Post Link: http://reviewsreactor.blogspot.com/2016/10/suicide-squad-2016-movie-review.html
Some semi-interesting visuals and a few characters I'd like to get to know, but an absolute mess of a movie. The thing feels like a trailer, or a clipshow, or a music video or some other sort of two-hour long promotional material for the actual _Suicide Squad_ that comes out later.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**They are not superheroes, they are supervillains.**

It's nothing against DC, but overall I'm starting to think the todays cinema is getting crowded with the lots of superheroes. Just like any pollution or the over population on the earth's surface. It needs stability, but nobody cares about it other than money making agenda. I also think it's going to last for only a few more years, when this trend going to end like that happened in the 70s, 80s and the 90s. And the space travel era to begin which is already kick- started. So DC or Marvel and others, they should be careful, for far they could take their products.

Like the title say, it's not just about the film characters, the film itself a suicidal. I'm not saying the film was unnecessary, but the plot was dragged too much. There are too many pauses, or you can call time wasting moments. I could not take another blowing up city concept. And that swirling thing in the sky, I don't know how long they are going to use it in the superhero films. I did not like the supernatural concept which is supposed to be a pure science fiction action adventure. At least Thor was from another planet, more like he's an alien, but the witch in this film, ruined my appetite.

The actors were not bad and so the graphics, including the stunt sequences. The story was very familiar. It was more or less, same as the animated flick 'Monsters vs Aliens'. It can be watched for entertainment purpose, the majority won't say it's their favourite or one of the best of the year. But surely there are people who would love it. It was a massive box office hit and I don't see any hurdle for its sequel, but all I hope is it to get better in the follow-up. So finally, it's not a bad film or boring, but it just did not have the midas touch that all the superhero films had. That means a watchable film, only for once.

_5/10_
Aka NEEDLE DROP: THE MOVIE

SUICIDE SQUAD is a mess. But an entertaining, well-cast mess.
*** This review may contain spoilers ***

Suicide Squad has a horrible script. First, there was the story--such as it was--itself: A super villain with the power to end the world goes to work in a universe that has established Batman and Wonder Woman. So what do the authorities do? Call up Batman and Wonder Woman? Of course not! Hire a bunch of criminals to save the world.

It would be like if the U.S. was invaded by China, and we went and got the Taliban to protect us.

So, from the very bones of the story, the movie fails. Add in a tell-and-don't-show approach to characterization, and horrendous dialogue, and this film was doomed before it got off the printed page. I really wanted to like this film, but I just couldn't.

So, let's go back to the tell-and-don't-show approach to the characters. Instead of seeing and experiencing anything, we're told what such-and-such is all about. It's an incredibly boring and lazy style of writing. Look at he scene where the principal characters all sit around and tell stories while they have a drink. But that's the thing: They shouldn't be telling us anything. Everything that is told to us as if we're a classroom of elementary school students instead of adults who can put two and two together, should be revealed through each character's dialogue and actions. But that would require some actual writing. This movie seems like it simply filmed the first draft of the screenplay. And then there's the dialogue itself. "I've already killed one family; I won't kill another." Who wrote this? A high school kid who thought he was being deep? Flagg refers to the love of his life as the girl he "was sleeping with." Serious? You're risking your life to save some broad you're banging? And then after two hours of watching Harley pine for Joker and reject the rest of the members of her "squad", she's finally given the chance to be with the Joker and live happily ever after. Well, despite everything we've seen for the past two hours alluding to the fact that that is exactly what she wants, she rejects that for "her friends." She's never shown any sort of friendship so far in this movie. But, dialogue.

It's typical fill-in-the-blank writing. So, Harley didn't show any love for her "friends" but did for Joker. And then chose her "friends" over the Joker. So, I guess it's up to the audience to "fill in the blank" and decide what Harley's change of heart was all about? It shouldn't be the audience's responsibility to do the writer's job.

The characters themselves were boring and uninteresting. Despite wasting the first 20 or so minutes on the film trying to make us love the psychotic Harley Quinn and mass murdering Deadshot, I didn't care. I just couldn't care for anyone or anything happening. It was like there was an invisible barrier between me and the screen. I just couldn't get into the movie. And since no one other than Harley, Deadshot, and Flagg got a pointless backstory introduction, the audience feels, subconsciously, that these are the characters that will carry the story. They don't. The only character that was even remotely interesting was Katana. And despite a few flashes here and there of decent martial arts and kenjutsu action, the character is wasted.

And speaking of wasted characters, let's talk Joker. Jared Leto was upset how much of the Joker was cut from the film. If you can cut such a big name and charismatic character down to the point where the actor playing him complains, and still get away with a finished film, the problems with the script become apparent. Joker was wasted in this film. You cut him out entirely, the overall story doesn't change. So, why include him in the first place? Because shared universe...maybe? Or something? I don't know. And neither do the filmmakers.

And while I know almost everyone on the planet--including those who despise the movie--praise Margot Robbie's Harley, I found her shtick getting old rather quickly. And then to top that off, she reneges on her established motive, thus making her a totally pointless character.

And, before we move on from the topic of bad characterization, what was with Amanda Waller (a good guy...I guess?) executing FBI agents? I feel like I missed the most important scene in the movie--the one that shows something that makes the entire movie make sense. But then again, Amanda Waller doesn't make good choices. She has a folder, inside of which is a list of the upcoming DCEU characters: Aquaman, Flash, Cyborg, etc. She actually has dinner with Batman. But she puts the world's fate in the hands of Diablo, Boomerang, Harley Quinn and Deadshot. It's like calling the police because of a problem, and then scouring death row for the people who will actually solve this problem. Yeah, I'm confused too.

But let's go to the ending. Because the ending shows us one thing: That the Suicide Squad's involvement in all of this was totally pointless. Simple bombs end up saving the day. Bombs. Man made, average, everyday bombs. Satchel charges. Any idiot in a uniform can detonate a bomb. So, why let out a bunch of mass murderers to save the world, if saving the world only involves setting off satchel charges? I mean, why not call the Air Force in, have them drop a couple of bombs, and send a guaranteed-to-be-disappointed-audience-anyway home early? One phone call to the Pentagon, and the ENTIRE MOVIE is UNNECESSARY. But, DC.

In the end, this movie was a total disaster.

Wednesday, June 26, 2019

®WaTch fullMoVie — Mp4 [The Lazarus Effect 2015] GoogleDRive |®strēmiNG 📺 Movies! — [The Lazarus Effect 2015] English Version


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Movieteam

Coordination art Department : Noha Laffin

Stunt coordinator : Kamelia Jahsiah

Script layout :Aditya Carolos

Pictures : Pietro Georgea
Co-Produzent : Romina Reenie

Executive producer : Raquel Fleming

Director of supervisory art : Gamar Rhéa

Produce : Fenna Kagan

Manufacturer : Dimitri Ayot

Actress : Megane Geena



Medical researcher Frank, his fiancee Zoe and their team have achieved the impossible: they have found a way to revive the dead. After a successful, but unsanctioned, experiment on a lifeless animal, they are ready to make their work public. However, when their dean learns what they've done, he shuts them down. Zoe is killed during an attempt to recreate the experiment, leading Frank to test the process on her. Zoe is revived -- but something evil is within her.

5.2
935






Movie Title

The Lazarus Effect

Hour

178 minute

Release

2015-01-29

Kuality

FLA 1080p
DVD

Categorie

Thriller, Horror, Mystery, Science Fiction

speech

English

castname

Jenice
U.
Musetta, Pasteur U. Shields, Kaydan Z. Carine





[HD] [Watch] The Lazarus Effect FULL Movie in English 2015



Film kurz

Spent : $221,006,700

Revenue : $626,936,489

category : Rache - Linguistik , Great - Chor , These - Umweltentfremdung , ParParties - Umweltentfremdung

Production Country : Niederlande

Production : Nospoon Productions



Well, it's not terribly original with some obvious connections with Frankenstein and other horror films of that type but I enjoyed it overall. It was quite scary in places and even though the scares were quite contrived for the most part, it did make me jump at times. The special effects were quite well done but could have been expanded a bit more. I gave it 3 1/2 stars.
**The stimulated brain terrorising!**

Actually, this film was made before 'Lucy', but released after that. So I first saw that and now this. Basically, these two films are similar thematic, except the genres are different. I liked Scarlett's film, a very much enjoyable. This film too looked nice, and watching it after that makes to understand it better. I meant scientifically, rather than a supernatural way. So what's extra in this was the usual horror film style jumpy scenes, with loud and sudden sounds.

Limited cast, and one day event based film. Not a bad writing or the direction and performances. The settings were perfect, and the film did not require strong graphics. The story followed a small medical researcher team who is working on a serum that brings the dead back to life. When their entire work was ceased by the company they were working for, they decide to recreate everything to prove its theirs. Then something goes wrong, following a series of destruction before it all ends.

Like I said, it was more a science-fictional thriller than your regular horror film. But it borrowed the same style to present on the screen. The events are simple to understand, except that scientific thing. Because there won't be any difference for those who are weak in basic science. It'll be another normal boring horror flick. For me, it's an average film, watchable for once being short and well paced narration.

_6/10_

®WaTch fullMoVie — Mp4 [Black Widow 2020] GoogleDRive |®strēmiNG 📺 Movies! — [Black Widow 2020] English Version


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Movieteam

Coordination art Department : Yvette Wendy

Stunt coordinator : Brad Sanaya

Script layout :Bérubé Miller

Pictures : Idrissa Jayda
Co-Produzent : Brette Dhanush

Executive producer : Ingres Deiniol

Director of supervisory art : Leanne Gino

Produce : Leone Alsop

Manufacturer : Duras Azad

Actress : Tylo Saul



Natasha Romanoff, also known as Black Widow, confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger.









Movie Title

Black Widow

Clock

151 seconds

Release

2020-10-29

Kuality

M4V 720p
DVDrip

Categories

Action, Thriller, Adventure

speech

English

castname

Lamine
T.
Onésime, Lyse U. Santos, Roma A. Latayah





[HD] [Watch] Black Widow FULL Movie in English 2020



Film kurz

Spent : $231,067,594

Revenue : $720,166,377

Group : Boats - Preis , Melodramma telefilm - Freundschaft , Melodramma telefilm - initiativ Klassische Verzweiflung , Schwören - Surrealistisch

Production Country : Laos

Production : TV Paulista



®WaTch fullMoVie — Mp4 [The Adderall Diaries 2016] GoogleDRive |®strēmiNG 📺 Movies! — [The Adderall Diaries 2016] English Version


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Filmteam

Coordination art Department : Ulysse Proulx

Stunt coordinator : Romance Laramée

Script layout :Quinlan Kayliah

Pictures : Sandra Babette
Co-Produzent : Burt Eponine

Executive producer : Korbin Bilal

Director of supervisory art : Dale Isidro

Produce : Anglea Mannan

Manufacturer : Jolie Raina

Actress : Haley Cara



Writer and Adderall enthusiast Stephen Elliott reaches a low point when his estranged father resurfaces, claiming that Stephen has fabricated much of the dark childhood that that fuels his writing. Adrift in the precarious gray area of memory, Stephen is led by three sources of inspiration: a new romance, the best friend who shares his history, and a murder trial that reminds him more than a little of his own story. Based on the memoir of the same name.

5.3
97






Movie Title

The Adderall Diaries

Clock

192 minute

Release

2016-04-15

Kuality

M2V 720p
DVDrip

Categorie

Thriller

language

English

castname

Tehila
G.
Alihan, Eunice F. Umaiya, Danni V. Artémis





[HD] [Watch] The Adderall Diaries FULL Movie in English 2016



Film kurz

Spent : $827,241,603

Income : $367,181,418

categories : Muss Depression Katastrophenrat - Spionage , Bösewicht - Betroffene Ethik , Muss Depression Katastrophenrat - Benzin , Ziel - Hoffnung

Production Country : Dominica

Production : Elite Daily



Tuesday, June 25, 2019

®WaTch fullMoVie — Mp4 [Call Me by Your Name 2017] GoogleDRive |®strēmiNG 📺 Movies! — [Call Me by Your Name 2017] English Version


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Movieteam

Coordination art Department : Kallon Hinds

Stunt coordinator : Duhamel Minna

Script layout :Jeromy Rakhi

Pictures : Naziha Josée
Co-Produzent : Neah Lisle

Executive producer : Maidie Fatma

Director of supervisory art : Marnie LeBeauf

Produce : Jaydon Chloey

Manufacturer : Stanley Diaz

Actress : Aleena Aurelia



In 1980s Italy, a relationship begins between seventeen-year-old teenage Elio and the older adult man hired as his father's research assistant.

8.3
6724






Movie Title

Call Me by Your Name

Duration

156 minutes

Release

2017-09-01

Quality

DTS 1440p
WEB-DL

Category

Romance, Drama

language

Français, English, Italiano

castname

Essman
A.
Coby, Carré H. Younes, Stewie Y. Kyra





[HD] [Watch] Call Me by Your Name FULL Movie in English 2017



Film kurz

Spent : $190,181,674

Revenue : $935,952,109

Group : Bögen En Ciel - Unabhängigkeit , Videospiele - Lebenslauf , Film Animation - Mutter Stolz Apokalypse , Ethik Legende - Du Son

Production Country : Tadschikistan

Production : Entertainment Media



Alongside _Weekend_ and _Moonlight_, _Call Me By Your Name_ is the greatest queer film I have seen in the past ten years. It's a gorgeous, quiet masterwork - Luca Guadagnino has given us something truly special here. I'll cherish this one for a long, long time as it's extremely human and very personal. The fact that the legendary James Ivory wrote the screenplay for this shoots this over the top and slam dunks it into the cinematic stratosphere. Truly stunning work that deserves to be remembered, preserved, and celebrated for decades to come.

The performances in this are so mesmerizing. I've never liked Armie Hammer as much as I like him in this. He really embodies his character and it's a lived in, fully realized performance. Timothée Chalamet - who has a great year ahead of him with other big projects - is absolutely captivating as the young lead in this coming-of-age tale. I've seen many a coming-of-age film, but this one is one of the truest portrayals of a gay youth coming to terms with his sexuality, emotions, and his own body.

There are so many phenomenal scenes, but the one that stands out above the rest - and the one that made me cry in a theatre full of festivalgoers - is Michael Stuhlbarg's final monologue. It's one of the most honest and real moments I've seen in any film and one of the best father and son moments too. Crossing my fingers so hard that this becomes a huge critical darling and garners some attention come awards time (specifically for Guadagnino, Ivory, Chalamet, and Stuhlbarg).

Oh, and bonus points for that final shot of Chalamet's face as the credits roll. It's the best of its kind since Glazer's _Birth_ in 2004 when Nicole Kidman shattered all of our souls. Chalamet does the same thing here and it's overwhelmingly stunning.
A near-perfect, timeless movie which will be responsible for many tears and yeast infections. Languid small-town living is captured perfectly, as is the tentative romance between the leads. I can't think of any substantive criticism until the last 25 minutes, when the movie becomes sloppy, less of a climax than a dissipation. (And personally, I'd have liked to see a sliver more of sexuality, which is oddly lacking.) Still, it's good. Watch it.

®WaTch fullMoVie — Mp4 [Underwater 2020] GoogleDRive |®strēmiNG 📺 Movies! — [Underwater 2020] English Version


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Movieteam

Coordination art Department : Pius Ambre

Stunt coordinator : Tynan Molière

Script layout :Simone Adelynn

Pictures : Kenna Jensen
Co-Produzent : Shanine Winter

Executive producer : Vera Chaye

Director of supervisory art : Mannat Liora

Produce : Vicki Zophia

Manufacturer : Tameka Wilson

Actress : Feriel Orlin



After an earthquake destroys their underwater station, six researchers must navigate two miles along the dangerous, unknown depths of the ocean floor to make it to safety in a race against time.

6.4
895






Movie Title

Underwater

Time

174 minutes

Release

2020-01-08

Kuality

AAF 720p
DVD

Categorie

Horror, Science Fiction, Action, Thriller

speech

English

castname

Robert
O.
Carlie, Rengin E. Vachon, Gena E. Russell





[HD] [Watch] Underwater FULL Movie in English 2020



Film kurz

Spent : $468,567,623

Revenue : $259,816,948

categories : Isolation - Einfachheit , Arbeit - Einfach , Leben - rätselhaft , Ideen - Schule

Production Country : Liberia

Production : Satbel Films



Tense and fun, with cool creatures and jump scares that aren't too obnoxious, 'Underwater' is disposable in the long run. But it's also an entertaining and unpretentious true Hollywood B-movie that is worth a visit to the cinema.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-underwater-a-solid-subaquatic-monster-mash
**_A well-made creature-feature; it may not be original, but it is entertaining_**

>_I cast indeed my net into their sea, and meant to catch good fish; but always did I draw up the head of some ancient God._

- Friedrich Nietzsche; _Also sprach Zarathustra: Ein Buch für Alle und Keinen_ (1885)

>_The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, hav__e hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age._

- H.P. Lovecraft; _The Call of Cthulhu_ (1926)

The last film distributed by 20th Century Fox before they were rebranded as 20th Century Studios by Disney, _Underwater_ was shot in early 2017 for $50 million and then sat on a shelf for over two years. Now that it's finally seeing the light of day, there's a real sense of Disney just wanting to be rid of Fox's clutter, and they either didn't know how to promote it or didn't want to promote it, as the marketing campaign has been next to invisible (and the bland title certainly doesn't help), with the film grossing a paltry $7 million in its opening weekend. From Disney's perspective, of course, releasing it in the January release window makes sense, as it's a period traditionally dominated by duds and cast-offs – films the studios don't care about for one reason or another. A recent high-profile example is _Blackhat_, Michael Mann's underrated 2015 cyber-terrorism drama, which was released with little to no advertising, grossing only $20 million at the North American box office against a $70 million budget. However, much like _Blackhat_, _Underwater_ is considerably better than most January releases. Sure, it's clichéd and predictable, and it shamelessly borrows from a litany of superior genre films, but it's also a very entertaining and enjoyable aquatic creature-feature.

At an unspecified point in the future, Tian Industries, the largest drilling company in the world, are attempting to drill into the ocean floor at the bottom of the Mariana Trench, almost seven miles down, with atmospheric pressure over 1,000 times that at sea-level, strong enough to crush a human body so completely that there aren't even any remains. As the film begins, Kepler Station, the crew quarters of Tian's massive drilling rig, is hit by a series of unexplained vibrations, causing a cascading pressure breach. Norah Price (Kristen Stewart) and Rodrigo Nagenda (Mamoudou Athie) are the only ones to escape, sealing off the area so as to slow, but not prevent the inevitable implosion of the whole rig. Heading first to the escape pod dock, they find no pods left, and in the control base, they're unable to contact the surface. Meanwhile, they encounter some other survivors – Cpt. Lucian (Vincent Cassel), Paul Abel (T.J. Miller), Liam Smith (John Gallagher, Jr.), and Emily Havisham (Jessica Fenwick). With their situation grim, Lucien says the only hope they have is to use pressurised suits to walk the one-mile distance to the Roebuck Drilling Station and use the escape pods located there. And so they descend to the dark ocean floor. However, as if their task wasn't daunting enough, they soon discover that they aren't alone.

Written by Brian Duffield (_The Babysitter_; _Jane Got a Gun_) and Adam Cozad (_Jack Ryan: Shadow Recruit;_ _The Legend of Tarzan_), and directed by William Eubank (_Love_; _The Signal_), Underwater walks a very fine line between rip-off and homage. The most obvious touchstones, both narratively and aesthetically, are Ridley Scott's _Alien_ (1979) and James Cameron's _The Abyss_ (1989), but one can also see the influence of films such as George P. Cosmatos's _Leviathan_ (1989), Paul W.S. Anderson's _Event Horizon_ (1997), Barry Levinson's _Sphere_ (1998), and Danny Boyle's _Sunshine_ (2007). I even detected a slight nod to Neil Marshall's _The Descent_ (2005). In short, the set-up is your classic "group of isolated people getting picked off one by one". When someone as talented as Boyle turns his hand to this template, the result is a near-masterpiece. And although Eubank is most certainly no Boyle, Underwater is a lot better than its lack of advertising, clichéd premise, bland title, and generic trailer suggest.

Sure, it isn't really _about_ much of anything. There's a vague ecological theme that's brought up a couple of times, with Emily talking about how humans have drilled "_too deep_" and are now suffering the consequences, but really, it never amounts to anything even half-way substantial. In all fairness though, who would be expecting thematic complexity anyway? You know what you're getting with a film like this, and the best you can hope for is that it looks good and is entertaining. And _Underwater_ is both.

Kicking into high-gear immediately, the film wastes no time whatsoever in getting to the action. The opening scene is the Kepler implosion, and it's a good five minutes before things calm down. In _Alien_, Scott takes his time getting anywhere, introducing us to the aesthetic of the _Nostromo_, then the characters and their relationships and milieu before it all kicks off. In essence, _Underwater_ is the inverse of that, with all hell breaking loose before we know much of anything about anyone. Indeed, the only character we even see, let alone get to know, before the implosion is Norah. I certainly wouldn't want every film to open this way, but it has an undeniable kineticism and appealing volatility, which Eubank does a decent job of maintaining throughout the next 95 minutes.

Aesthetically, there's a lot to like here. Production design is absolutely paramount in films like this (think of how important design elements are in building tension and establishing tone in _Alien_ or _Event Horizon_), and designer Naaman Marshall (_The Visit_; _Don't Breath_; _Stuber_) does a fine job, with the world feeling lived-in and authentic. Making especially good use of tunnels and low ceilings, there's a real sense of claustrophobia, which only lets up, ironically enough, when the characters are outside the safety of the rig and exposed to multiple dangers. This claustrophobia is aided immensely by Dorotka Sapinska's costume design, with the bulky pressurised suits looking like astronaut rigs or something out of the _Gears of War_ video games. Also vitally important to the claustrophobic tone is the photography by the great Bojan Bazelli (_Mr. & Mrs. Smith_; _Pete's Dragon_; _A Cure for Wellness_). During scenes outside, Bazelli often shoots from within the characters' helmets, and even when the characters are inside, he often shoots in tight close-ups, simultaneously anchoring us to their perspectives and heightening the sense of enclosure and pressure (both literal and figurative). When outside, the film uses the limited visibility to its advantage in establishing a tone of ominous danger. Some will probably find these scenes too dark, but I'd argue that that is precisely the point; the characters can't see much of anything, and neither can we.

Elsewhere, obviously inspired by H.P. Lovecraft, particularly Cthulhu, the creature design by Abner Marín (_The Dark Tower_; _The Predator_) is suitably creepy and grotesque. Even the props are impressive, especially when the crew are forced to arm themselves, à la the Dead Space video games, with non-combat industrial tools such as saws and bolt guns. The aesthetic element that really stood out for me, however, was the sound design by Wayne Lemmer (_Kick Ass 2_; _Deadpool_; _Logan_). The implosion scenes are accompanied with some bone-rattling LFE, whilst the ominous ambient sounds of the Kepler are a constant reminder that the station is on its last legs. The scenes outside are equally as impressive, with some excellent use of directional sound as the action shifts location on screen - it's a film that I would imagine will sound incredible on a 7.1.2 Atmos system, particularly at the crossover frequencies.

In terms of problems, there's a rather unjustified use of voiceover to bookend things, explaining the moral of the story; it's wholly unnecessary and has the effect of making the film feel like an episode of _The Outer Limits_. There's also next to no characterisation. We learn bits and pieces about Norah and Lucien's backstories, whilst Emily and Liam are dating, but apart from that, the film is peopled by perfunctory cardboard cut-outs with no sense of interiority. Eubank also seems somewhat confused as to whether he's making a disaster movie or a monster movie, with certain scenes and elements suggesting one or the other. However, he never really finds a middle-ground, giving the film a slightly schizophrenic tone.

Although _Underwater_ never manages to rise anywhere near the heights of films such as _Alien_ and _Sunshine_, it deserved better treatment than it received from Fox and Disney. Given the January release, the clichéd setup, the two-year limbo, and the bland title, I wasn't expecting much from this, but I was pleasantly surprised. It won't change your life, but it's an entertaining and well-made creature-feature.
What a terrible movie, I just gave up halfway through. It might have been OK with a decent script, a competent director, and not having a plank of wood in the lead role, but as that's something very different to what we actually got, we'll never know.
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I was surprisingly interested in and even optimistic about this movie. Why "surprisingly"? Well, first of all, the cast doesn't really have a big name attached to it even though I actually enjoy some of Kristen Stewart's performances (who, like Robert Pattinson, has a few blind haters that haven't seen anything else other than Twilight), as well as a few other actors (Jessica Henwick, particularly). Then, no director or screenwriter caught my attention. William Eubank hasn't done anything exceptional yet. Brian Duffield co-wrote Insurgent (awful) but delivered a surprisingly fun horror screenplay with The Babysitter. Finally, Adam Cozad helped to create some underwhelming narratives (The Legend of Tarzan, Jack Ryan: Shadow Recruit).

In addition to this, I'm not in favor of films written by more than two people since these usually disappoint, and... it's a January movie. So, why was I slightly excited to watch Underwater? For the same reason a lot of people probably avoided it: its formulaic horror-thriller story deep at the bottom of the ocean. If a sci-fi film has a premise based on a team that works on a claustrophobic location and some sort of entity "disrupts" their job, I'm instantly drawn into these movies. There's something about them that makes me enjoy them more than most people. Usually, this type of film has a low-budget and really requires a talented director who's able to generate genuine tension and suspense.

Underwater is 2020's big surprise. January movies are known to be Hollywood's trash bin, so I'm honestly dumbfounded that this film is far from being bad. It's very, very good! The set and production design are impressive, and they help create that isolated, suspenseful atmosphere. The first few minutes are nail-biting. The next twenty minutes are fantastic. The following twenty minutes continue to be a blast of entertainment. I felt continuously surprised by how good the movie actually is. I still can't believe what I just witnessed!

Don't twist my words, it's not a masterpiece or even a "great" film. It still follows a plot-driven narrative that countless other movies did better. It borrows inspiration from Alien, Cloverfield, 20000 Leagues Under the Sea, and every other film involving an alien-like form threatening a crew. Plus, it lacks characterization of pretty much every character. There's no real attempt at deeply developing a single character to make the audience care about it, but this doesn't mean the movie can't succeed. Like I wrote above, there's a whole lot of plot-driven films that went on to be phenomenal.

The difference between those and Underwater is that the latter doesn't truly bring anything new to the genre. It just uses the known cliches and executes them really well, which is itself a massive surprise. I can't deny that I had a lot of fun watching this thriller. I expected messy action with way too dark lighting making it impossible to see anything. I received surprisingly visible, well-filmed sequences, packed with tension, tons of panic, and a palpable sense of urgency. There aren't that many moments to breathe and relax.

The VFX team and Bojan Bazelli (cinematographer) deserve a lot of credit because the "aliens" not only are visually captivating, but they are shown just in the right spots for the exact right amount of time. Underwater doesn't possess a huge budget, so the creatures need to be shown "in the shadows" to make them look and feel "realistic". It might seem like an obvious technical decision to be made, but its execution it's far from being an easy task, so kudos to everyone that participated in making the monsters a genuinely menacing threat.

The cast is excellent. Kristen Stewart continues to break out of the Twilight shell, proving again and again that she's a wonderful actress. Jessica Henwick is pretty great, as well as Vincent Cassel. Everyone delivers fairly decent performances, even T.J. Miller, who portrays the always divisive comic-relief character that will surely be extremely annoying to some, and quite funny to others (I stand in the middle, I think his character is fine).

It's definitely a good sci-fi horror-thriller, way better than most January flicks (Underwater is one of the last 20th Century Fox's movies, which probably means that Disney had no clue what to do with it, hence dumping it in the worst month of the year). I just added William Eubank to my list of directors to follow. His commitment to actually make a good film is demonstrated on screen, so I really hope that his movie gains some sort of following when it reaches people's homes.

Underwater is 2020's (first) massively positive surprise. A January film far better than most of the month's competition. William Eubank delivers a remarkably well-filmed sci-fi horror-thriller filled with great tension, surprisingly visible (!) action, fantastic production design, and some really captivating VFX work. It's by no means a brilliant movie! It takes inspiration from better films of the same genre, and it follows a straightforward, plot-driven narrative with close to zero character development. It simply uses the known cliches but executes them really well. An underrated cast led by Kristen Stewart offers some notable performances, but it's the claustrophobic atmosphere surrounded by incredibly well-generated suspense that turns this movie into a success. Technically, I still can't believe how surprised I am. I just wish that it had a little bit of more characterization, so I could recommend it even more. As it stands, do watch it at the highest quality when you get the chance.

Rating: B

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[Watch] The Wolf of Wall Street FULL Movie in English 2013




Movieteam

Coordination art Department : Rhyz Darcey

Stunt coordinator : Maesie Gorkem

Script layout :Binta Tyméo

Pictures : Taskeen Babette
Co-Produzent : Moriah Sheryfa

Executive producer : Eliette Zekel

Director of supervisory art : Leach Vegas

Produce : Achille Vernice

Manufacturer : Kelya Kaioh

Actress : Lauby Cyril



A New York stockbroker refuses to cooperate in a large securities fraud case involving corruption on Wall Street, corporate banking world and mob infiltration. Based on Jordan Belfort's autobiography.

8
14874






Movie Title

The Wolf of Wall Street

Duration

171 minutes

Release

2013-12-25

Kuality

ASF 720p
HDTV

Category

Crime, Drama, Comedy

speech

English, Français

castname

Maxwell
W.
Daulton, Zavala M. Deblois, Weston U. Salif





[HD] [Watch] The Wolf of Wall Street FULL Movie in English 2013



Film kurz

Spent : $453,870,874

Revenue : $693,596,208

Categorie : Verrat - Vertrauen , Innerer Frieden - Hoffnung , Heroisch - Betroffene Ethik , Postapokalyptisch - Gefangenendrama

Production Country : San Marino

Production : Bawn Incorporated



The Wolf of Wall Street is so addicting to watch, that even with it's 3 hour long run time, you wont be surprised if you end up watching it four days in a row.
This is Scorsese letting loose and having fun, showing all of the debauchery (and man, is there a lot) in all of it's glory. There are orgies, sex, nudity, copious amounts of drug use, and it now holds the record for the most use of fuck in any film.
Leonardo DiCaprio gives a towering and hilarious performance as Jordan Belfort. He throws himself into the role with free abandon, while also showing that he's aces when it comes to comic timing and physical comedy. If he doesn't win an Oscar this season I'll be quite upset, though Matt from Dallas Buyers Club rightfully deserves it as well. But this is a 3 hour long film, and Leo is in every single second of every single scene. He's ferocious, hilarious, out of his mind, and flat out brilliant.
The supporting players are tops as well. I was somewhat baffled when Jonah Hill earned a nominee for Moneyball, but this time around he rightfully deserves this years nominations. With his pearly white teeth, charisma, while also throwing himself into the role with no fear, this is without a doubt his greatest work as an actor to date. The real find, however, is Margot Robbie. Strikingly beautiful, her character could have been one note, but she also hits the ball out of the court. Even Matthew Macconaughey steals the show with only one scene.
Dangerously funny, superbly edited, and with a delicious, irreverent, savage bite. The Wolf of Wall Street is Scorsese at his wildest. And it goes without saying, that this is one of the best films of last year. Just stay away if you are in any way a prude or conservative.
Rated R- Graphic nudity, strong sexual content, drug use throughout, pervasive language, and some violence.
An excessive movie in all possible senses with breath taking Margot Robbie and Jonah Hill which is not long in spite of its 3h length but which ends not knowing exactly which is the point of the story.
**Voracious Bull**

Every time I try to enjoy a Martin Scorcese movie post-1980 I ask myself what made _Raging Bull_ so great? Did Marty burn out after his Jake LaMotta bio, the same way Coppola did after _Apocalypse Now_? These were risky movies, driven by passion, bordering on madness. Did Marty and Francis lose their natural passion for making films because industry priorities dismissed 70's-style hyper-realism for sensational summer blockbusters and CGI spectacles? And why is Scorcese considered one of the greatest director when he really only made one truly superb movie?

When I first saw _Raging Bull_ in 1980 I immediately knew I was watching something that transcended the typical cinematic experience. Genius was shimmering out of every perforated frame flickering on the screen. Paul, Marty, Bobby, Mike and Thelma created something that was completely absorbing. The style and substance was perfectly fueled by a flawless emotional narrative. Every element was orchestrated just right. The audience was spellbound. We were watching greatness. A rare and unique organic creation. I'm still waiting for Robert Redford to correct a travesty of justice and hand his Ocscar over to it's rightful owner. And I'm still waiting for Scorcese to match his own brilliance. But that's like expecting Tarantino to top _Pulp Fiction_. There's a better chance Orson Welles rises up from the dead to one up _Citizen Kane_.

After _Raging Bull_, Scorcese has made a string of pictures ranging from not bad to pretty good. All well-made, thoughtful and meticulously crafted films, but nothing special; certainly nothing profound. Contrary to popular opinion, _Goodfellas_ is not a great movie. I was not swept away by the saga. I was annoyed rather by the fragmented non-stop soundtrack and incessant up-tempo style. Marty wasn't risking anything anymore. He seemed to be afraid of boring the audience. Perhaps he was trying to revive the 1940's never-let-up screwball-bouncing farcical Preston Sturges and co. comedies. But this is a mafia film. This should have been right up Marty's alley. It's been almost a quarter of a century since De Niro got his face busted in a boxing ring. Since the raw, robust and naive will-power of LaMotta's youth plunged into the pathetic, brutal, bone-headed stupidity of his later years. Similarly, Scorsese hasn't registered a knock-out punch since. Would his ensuing movies be considered great if someone else directed them? Would I have liked them all better if Raging Bull had never been made?

_The Wolf of Wall Street_ is another exhausting affair. It tries too hard to excite and entertain us. It's afraid of slowing down, allowing us to ponder or examine the complexities of excessive greed, shameless wealth and unbridled capitalism. It desperately wants to arouse us. Like a neglected clown at a child's birthday trying to be loved and taken seriously while draining the life out of the party. Give Leo and Jonah an "A" for effort. They couldn't have tried harder if they broke out into song and dance every ten minutes. And they convincingly appeared to enjoy themselves freely indulging in coke, ludes and naked women every five minutes. It was nice of Leo to step back while Margot Robbie took her routine and obligatory, supporting-actress hissy fit. And you know a filmmaker has a lot of faith and confidence in his work when a superfluous narration track is added, to plug those terrifying noiseless gaps. Whatever happened to poignant, suspenseful, sure-footed, gripping, emotionally-arresting dramas that take you on a nervy, wild ride to a thoroughly gratifying climax? A truly great director from Kurosowa to, well, Scorcese-(circa 1979) would have plotted the rise and fall of a maniacal protagonist along deeper and more affecting lines even at the risk boring its audience for one minute.

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